Movie-A-Day #4: Kids (1995).
Today is writer/director Harmony Korine’s 38th birthday. Which means it’s as good a time as any to check out his first (and best) feature, “Kids,” which he co-wrote with famed photographer Larry Clark, who also directed. It’s a gritty and uncompromising – or should I say, bleak and depressing – look at the blighted lives of aimless kids in New York City. It’s not light fare, but it’s far better than any of Korine’s subsequent work, and it features breakout performances from an ensemble cast of then-unknowns that includes Chloë Sevigny and Rosario Dawson. And then there’s the great soundtrack put together by Lou Barlow of Sebadoh and the Folk Implosion.
Movie-A-Day #3: The Seven Samurai (1954).
Today marks the anniversary of the Meiji Restoration in Japan in 1868. It was the culmination of perhaps the most sweeping cultural change any nation has ever seen. Japan’s feudal tradition, virtually unchanged for centuries of shogun rule, was swept aside almost overnight as the country was opened to the West and its modern government was put in place.
Most emblematic of the change was the abrupt end of the culture of the samurai. For the Japanese, they have become symbolic of the virtues of that vanished era and Japanese filmmakers have returned to samurai stories again and again, in much the same way American filmmakers have mined the western genre. So to mark the end of the feudal era in Japan, it’s only appropriate to turn to a samurai movie, and Akira Kurosawa’s “The Seven Samurai” is perhaps the pinnacle of that genre. Not only is the storytelling superb, but it also demonstrates the deep parallels between the samurai films and American westerns. Kurosawa tried to marry the two genres by consciously using many western tropes in “The Seven Samurai,” and American director John Sturges repaid the debt by remaking the film as a western in 1960 as “The Magnificent Seven.”
Movie-A-Day #2: Annie (1982).
On this date in 1983, the musical “Annie” finally ended its record breaking run on Broadway after six years and 2,377 performances. The story of a Depression-era girl taken in by a childless billionaire, based on the 1930s Harold Gray comic strip “Little Orphan Annie,” obviously struck a chord with ’70s audiences sick of economic malaise. The movie version of “Annie,” released while the play was still running, is just as relentlessly optimistic as the stage version and stars Carol Burnett, Albert Finney, and newcomer Aileen Quinn as Annie herself. The 1930s have long faded into history, but now in the midst of another economic crisis, that curly headed moppet is ready for another comeback – a revival of the play is scheduled to open on Broadway next year.
Movie-A-Day #1: The Poseidon Adventure (1972).
Happy 2011 everyone! For the new year we’re adding a new feature here at the Movie Spot: the Movie-A-Day Calendar. There will be a new topical movie recommendation for every day in 2011. The recommendations will be based on whatever is appropriate for that day – holidays, anniversaries, birthdays, current events, or sometimes just because. The one thing they’ll all have in common is that they’re movies worth watching.
So we start off 2011 with a New Year’s favorite, “The Posiedon Adventure.” As the clock strikes midnight on New Year’s, a rogue wave capsizes the cruise ship S.S. Poseidon, so our ragtag group of celebrity survivors must spend the first day of the new year climbing through the upside down ship to reach safety. It’s ’70s disaster moviemaking at its best – fun, dumb and cheesy – perfect for nursing that next day hangover. Because, after all, there has to be a morning after.








